Clik here to view.
Nocturno Stencil, a variable Stencil font
Nocturno, designed by Nikola Djurek, was published back in 2013 and has been used extensively for small-text applications due to its superb legibility, crisp details and easy-flowing rhythm. Nocturno...
View ArticleClik here to view.
Oli: a neo-grotesque with irrepressible personality and charming details
Although the neo-grotesque genre tends toward cold, neutral typefaces, Oli’s charming details glow with unreserved personality at large and small sizes alike, injecting a strong visual character into...
View ArticleClik here to view.
New Logo for the Kunstmuseum Den Haag
Typotheque was asked to design the new logo of Kunstmuseum Den Haag, one of the most visited museums in the Netherlands. The proportions of the new Kunstmuseum logo are based on the original brick by...
View ArticleClik here to view.
Typotheque Solo Exhibition at the Kunstmuseum Den Haag
When it comes to exhibitions, we have attended many, organised and curated a few, and even designed some, but our work has not yet been the subject of a solo exhibition in a major art museum. Until...
View ArticleClik here to view.
What we have learned so far?
Happy 2020! With both the old decade and our 20th anniversary behind us, now might seem like a good time to look back on all the accomplishments that have brought us this far. But perhaps instead of...
View ArticleClik here to view.
Murtaugh & Riggs, a duo of complimentary typeface families
.LeftBar .ArticleMainContent .ArticleBody .RoundedTabs.WithImages { padding-left: 0; } .LeftBar .ArticleMainContent .ArticleBody .RoundedTabs.WithImages .nav-tabs { margin-left: 22%; } .LeftBar...
View ArticleClik here to view.
Murtaugh & Riggs, a duo of complementary typeface families
.LeftBar .ArticleMainContent .ArticleBody .RoundedTabs.WithImages { padding-left: 0; } .LeftBar .ArticleMainContent .ArticleBody .RoundedTabs.WithImages .nav-tabs { margin-left: 22%; } .LeftBar...
View ArticleClik here to view.
Typotheque Automates Free Test Licenses
Our connection with our clients has always been the most important part of our work, and we have always done whatever we can to support our customers. For the last twenty years we’ve been arranging...
View ArticleClik here to view.
Tremolo Sans, an Unlikely Companion Typeface
Nikola Djurek’s Tremolo, a popular font which was awarded a TDC Certificate of Typographic Excellence in 2016, now has a new companion typeface, Tremolo Sans. Quirky and engaging, Tremolo Sans is a...
View ArticleClik here to view.
Greta Sans Korean, a Hangul humanist Sans typeface system
Greta Sans is one of the largest commercially available type systems. It was originally published in 2012, and quickly gained popularity as a powerful toolbox capable of dealing with the most complex...
View ArticleClik here to view.
A year in review… and looking ahead
As the year – which we will all remember for a long time – is coming to a close, we’d like to look back at previous months, at things we have done and learned. We published four new projects, three...
View ArticleClik here to view.
Edge, a geometric slab serif typeface
When we celebrated our 20th birthday, we looked back at our early days and revived one of the designs from the 1990s, publishing it under the name Edge Sans. Now, the designer Ermin Međedović expands...
View ArticleClik here to view.
Major update of Lava with variable optical spacing
Our aim at Typotheque is for our type family Lava, along with the November type system, to be able to support all living languages. This is an ambitious aim, and it is a long-term project, in which we...
View ArticleClik here to view.
Maro, a razor-sharp stencil typeface for expressive text
Maro, the latest typeface by the prolific type designer Nikola Djurek, is a continuation of Djurek's investigation into the structure of letterforms. Maro is an unusual stencil typeface that, rather...
View ArticleClik here to view.
New monumental Typotheque type specimen, a world poem in 162 languages
Back in the days when in-person meetings were the norm, we asked Susana Carvalho and Kai Bernau from ACB to meet with us to discuss ideas for a new type specimen. We have worked together before on...
View ArticleClik here to view.
Devanagari type survey
We have been designing Devanagari type since 2007, yet we are still uncertain when people ask us if a particular font is suitable for Sanskrit, Nepali or Marathi, languages that use the Devanagari...
View ArticleClik here to view.
Major update of November multilingual font family
The November type system comprises 54 different styles, which are now available in two variable fonts (upright and Italic), giving access to even more typographic fine-tuning possibilities. The...
View ArticleJob Opening: Font Engineer
This is not a type design job, but technical production work, manipulating fonts, testing, quality assurance practices, documentation, occasionally making font outline corrections, or creating simple...
View ArticleClik here to view.
Major update of Lava with variable optical spacing
Our aim at Typotheque is for our type family Lava, along with the November type system, to be able to support all living languages. This is an ambitious aim, and it is a long-term project, in which we...
View ArticleClik here to view.
Delvard Serif, an eccentric, yet very functional old-style typeface
Just like the sans version, Delvard Serif is not modelled on a single historical source, but takes loose inspiration from the late nineteenth-century art nouveau posters and its adventurous lettering....
View Article
